The assignment is an 800-1000 word critical reflection on Florine Stettheimer: Painting Poetry.( This critical reflection should take into account the specifics of the work/event/talk, describing its visual, aural, and experiential aspects in ways that are structured, evocative, and verifiable. You should also reflect on how the work/event/talk leads you to consider or reconsider race in relation to your own experience and/or in relation to the modern art we have been discussing in clas

    Materialistic Constitution and Fevirile Intelligence

    Case study: Florine Stettheimer: Chaste self-portrait

    “Florine Stettheimer, “Chaste Self-Portrait” (ca. 1915), glaze on canvas, 48 1/4 x 68 1/4 inches (graciousness Profession Properties, Avery Architectural & Fine Professions Library, Columbia University, douceur of the Estate of Ettie Stettheimer, 1967)”


    Florine Stettheimer painted at a era where dame painters were heavily shapely and their performances cherished of inferior disposition compared to the performances of their virile counterparts. Excluding Stettheimer would transmute the influx and produce recollection to fevirile professionists through her differently unorthodox compositions. From the onslaught, Florine was regularly a feminist, coercion sample, in her saloons, man and dame existed on similar condition. In other paintings, man could be seen doing “Women-Jobs” and oman doing the antagonistic. She presented herself as a newist and pushed coercion the ascendant concept of the “New-Woman” which was trending at the era (Bracknowledge et al. 2017). Her approximation and consummation very-much influenced cultural dissettle at the era. One of her paints that fundamentally produces-extinguished the concept of materiality and fevirile intelligence is a 1915 image of a chaste dame deemd to be herself.

    Florine Stettheimer: Materiality and Fevirile Intelligence

    As an impassioned folinferior and an enthusiast of profession, I accept set myself catchn by the flamboyance and with which she professioniculates her themes and ideas. Interaction with her paintings has made me reconsider materiality and fevirile intelligence. Coercion a hanker era, materiality and fevirile intelligence were meditation to be coercion gross and dame who had erred in morality. Virile chauvinism adage to it that dame the gist of connection was cautious coercion the man singly. Coercion sample, the influence of a dame painting herself chaste as Florine did was unthought-of of at the era. This was cherished extremely in the circles of contemporary painters (Boyers. 2016)).This was her manner of nonobservance the disguise coercion when to follow extinguished and be courageous abextinguished themselves and what they do. I deem that fevirile intelligence has played a symbolical role in shaping the new connection. Dame accept reluctantly patent clear into leaders and judgment makers in connection (Samuelson-Gorse. 2001).

    One impinfluence of the significance of materiality and fevirile intelligence is the reliance with which she was to divorce her success of the profession to constitute an unorthodox excluding uniquely sensational phraseology of painting. I deem this remaining and the finfluence that she dared to settle her chaste painting squarely at the hardihood of the compass at her salon. Symbolically encouraged other painters to go bountiful suppress and innovate acknowledge phraseologys, which is a plus to the profession toil. Smooth if feminism was refertalented the romance at the era, it is sensational how she was talented to constitute an overtly soft cunningifice of doing profession while commencement custom of the incitement of the fevirile constitution in her compositions in a manner that had refertalented been seen precedently. Her friends smooth representationd to circumvent her a `Bachelor’ fictitious from the French tidings Bachelier which instrument `New Dame’

    Her approximation in femininity can be coercioncible as direct feminism. This is accordingly her approximation advocated coercion parentage, cordiality, regard, share, whine, attachment and propensity. She deliberately chose to representation her parentage part, that is, her sisters and dame, conjointly with her cork friends who included correlative professionists and patrons who frequented her salons. Besides, Florine never grounded her performance on fantasy; rather her paintings are grounded on well-researched topics that happened or were ascendant in the in connection at the era. She besides attachmentd to representation influenceual and ascendant men-folks, secure coercion her parentage parts. This gave heeder to her paintings.


    Florine Stettheimer herself was aptly sensible of her feminist constitution and performanceed to constitution. Her paintings were usually in gleaming colors, specially leading colors; floral drapes, curtains, rococo furnishing and radical curves were totally execute in her performances. The influence of painting a chaste image of herself announced to the universe that it was era coercion the “New-Woman” who could be a exempt thinker and could catch heed of herself.


    Boyers, R. (2016). Thinking Abextinguished Dame and Newism. Salmagundi, (192/193), 60.

    Brown, S., & Uhlyarik, G. (2017). Florine Stettheimer: Painting Poetry. Yale University Press.

    Sawelson-Gorse, N. (Ed.). (2001). Dame in Dada: essays on sex, gender, and identity. MIT Press.