In this course, you are required to complete a literary research project. You may select any literary topic related to themes addressed in the course. For example, you may choose to research ways in which literature depicts race, culture, gender, class, poverty, etc., or you may focus on a particular work by an author introduced in this course. You may also choose to complete a literary research project that focuses on multiple works by a single author. There are a variety of ways to address this project. However you chose to proceed, your research must be based upon literature. Most importantly, is to find a topic that is interesting and relevant to you. The research paper is the culminating project for the course. You should use the various literary concepts and elements to discuss the topic you selected in your research proposal. Your paper must have a thesis. You must support/advance your thesis using your own ideas and assertions in addition to scholarly sources and support from the text. The research paper is not a summary of the text. Do not simply summarize the plot. Logistics: MLA format 1500-words minimum Three academic sources Literary Research Paper Structure (General Structure) I. Introduction a. Narrative Hook/Attention Grabber (catches the reader’s attention) b. Contextual Framework (including, but not limited to appropriate background information/statement of the debate/definitions i.e. author’s biographical information, social context, history, etc.) i. Historical context 1. Does not provide an entire history of author or group 2. Limits historical focus to relevant period and events 3. Helps reader put essay in time context 4. Helps reader make important links to influential events ii. Basic information for understanding context of thesis 1. Provides information about particular style of author or group 2. Defines elements that are associated with the author or group c. Thesis Statement i. Limits what you will write about 1. If about an author, names the author and works to be explored 2. If about a period or genre, names it and the authors involved in it ii. Gives a focus as to what you will explore about topic 1. Defines the theme, symbol, plot device, character type, etc. that helps link the works or authors. 2. Minimizes the range of ideas that you will explore in the essay 3. Sets the boundaries, of which you will not stray 4. Puts forth an argument that you will defend II. Body – Analysis/Argument a. Breaks down the thesis into sub-points (separate paragraph for each) i. Establishes broad points ii. Identifies each point and defines it iii. Narrows each point with specific details b. Gives reasons for points or arguments that you make i. Supports points with explanation ii. Fully develops the idea iii. Uses facts to support point iv. Use logical reasoning 1. Connects ideas in a manner that does not confuse the reader 2. Makes assumptions or opinions that can be backed with evidence c. Shows evidence of your points i. Uses samples from works of selected authors (primary sources) d. Applies criticism and outside sources (secondary sources) i. Quotes sources accurately 1. Introduces quotes with the author and source of the information 2. Provides only that much of the quote that is necessary to get across meaning 3. Explains the significance of the quote in relation to the point you were making 4. Uses correct parenthetical reference ii. Summarizes and paraphrases succinctly iii. Avoids any plagiarism and documents all sources III. Conclusion a. Sums up the essay i. Possibly reworks the thesis ii. Restates the points in a different way iii. Focuses the significance of the essay Works Cited Follows proper MLA formatting Lists all sources referenced in the essay Compiled on a separate page from the rest of the research paper

    Gender Roles in the Intercourse: The Lottery by Shirley Jackson

    Political textures in the synchronous intercourse accept a cecible collision on relationships and swing the posture of romance-folks towards spirit. By distant, political textures accept pretended gender roles and endure to contradict woromance the cece to constitute defiant conclusions that illustrate an erratic role in the consummation of their success objectives. Romancey scholars and authors accept demystified political textures by highlighting their collision on enlargement and bud incomplete woromance in the polity. Shirley Jackson in her near fable, The Lottery, presents an thrilling scenario that swings the perspectives of romance-folks towards women. Restrictedally, she addresses the complexion of commencement through her relation where boys are believed to be cosmical directers who should constantly choose inculpate of girls and older women. By describing the lottery, Jackson anticipated to diversify the perspectives of romance-folks towards woromance and lay a limited mindset that would decide them in their present environment. She besides sought to extremeic real political textures by demonstrateing their collision on the cece of romance-folks to constitute judicious conclusions that improve the peculiarity of spirit ce them and other crowd.  Although Jackson was reclusive, her studious results opened the room ce other woromance to debate issues that pretend their enlargement and bud in the intercourse. Through her high predilection, the intercourse acquires from its mistakes and hunts a loftier encroachment that motivates guiding crowd to debate diversify over the universe. Political textures disturb romance-folks from debateing issues that pretend their spiritstyle, permit overthrow, and excite impagreement incomplete the citizenry in the polity.

    Collision of Political Textures on the Conclusion-Making Way

    Jackson’s near fable, The Lottery, highlights a grave that dominates the cece of romance-folks to constitute defiant and cognizant conclusions. Uniform though the villeldership has romance-folks who can regulate the realmal to constitute the fair choices, integralsingle is apprehensive to extremeic the legitimacy of the cultural exercise. In deed, romance-folks trepidation to extremeic the political texture owing of its collision on their spiritstyle and could direct to decease. Jackson presents an thrilling coincidence that provokes the mindset of her readers and extremeics them to constitute conclusions extraneously basing their arguments on the products that are approved by political textures. Thrillingly, the villeldership crowd accept no conclusive infer to dispose-to-expiration accidental romance-folks. Besides, their conclusion to demonstrate the dupe through a lottery session demonstrates their inforce to constitute cognizant choices and presents an clownish complexion of spirit where romance-folks are scanty of making the fair conclusions ce trepidation of punishment.

        Imputable to the real political textures, woromance are treated as secondary crowd and uniform supposed scanty than teeneldership boys. Surprisingly, the deed that olden woromance can be compared to pubescent adults is unlucky and near-sighted. The intercourse believes that romance are cosmically born as directers timeliness their effeminate counterparts are subjects who are expected to restraintego with instructions from authorities extraneously extremeicing. The realmal did referable attributable attributable attributable polite entertain Jackson’s near fable owing it highlighted the romancener possessed by the crowd and criticized its admittance in interfering with the wayes trained by woromance to busy commencement positions in their present environment. Her cece to advert crowd’s romancener through her near fable ignites an animated conference that has past orthodox romance to comprise their effeminate counterparts and aim them as resembling distribute-amongners, with whom they can commence diversify in the intercourse. The realmal should annihilate political textures by hopeful the insubservience of deliberation incomplete romance-folks.

    Overthrow in the Intercourse

    Political textures permit romance-folks to comprise unilateralism when interacting with issues pretending crowd in their present environment. In this respect, those who go across the single-sided admittance are supposed to be outcasts owing of their non-conformist romancener that threatens the power of the realm.

    “The first tackle ce the lottery had been obsolete covet past, and the sombre pummel, now relying on the stool had been dispose into straight uniform antecedently Old Romance Belligerencener, the oldest romance in town, was born. Mr. Summers regularly spoke to the villagers encircling making a odd pummel, except no single national to capsize uniform as ample legend as was represented by the sombre pummel,” (Jackson 1).

    Political textures clash with the organizational refinement in the resultplace and extremeic the cece of romance-folks to amplify viable solutions to problems that pretend crowd’s spiritstyles in the polity. Ce circumstance, romancey happy romance-folks are believed to be non-conformists and outliers who hunt divergent admittancees in their command to amplify viable solutions. Timeliness political textures solely aid romance-folks who align their deliberations to a restricted perspective, the circumstance ends up creating eminence and reminding romance-folks of their differences. In the synchronous intercourse, political textures accept solely framed more divisions than agreement imputable to the intolerance that is plain incomplete romance-folks who are opposed to diversify.

        Jackson’s fable highlights the overthrow that chooses in the villeldership integral year during the lottery. However, in this uniformt, a woromance is punished ce her conclusions that are supposed wickedness by the intercourse. Timeliness no single is voluntary to extremeic the legitimacy of the way, Tessie Hutchinson, the winner of the lottery is unguarded to the consequences of her actions. Surprisingly, lottery winners are treated as champions owing of their pure good-natured-fortune to appear victorious in a frolic of necessity. Nonetheless, Jackson presents a divergent coincidence where winners are subjected to decease ce making the fair choices that are believed to be wickedness.

    “Although the villagers had cegotten the grave and obsolete the first sombre pummel, they tranquil guarded to straight stones” (Jackson 4).

    By drawing Tessie as the dupe, Jackson addresses the tenor of woromance in the intercourse, an complexion that constantly draws divergent aims from romance-folks. Besides, the deed that Tessie is incapacitateted to curb the courageous-dominated disorderly-crowd from stoning her to decease represents an integral limpid that demonstrates the weaknesses associated with women.

    Promotion of Impagreement in the Synchronous Intercourse

    Timeliness twain romance and woromance share in the lottery, solely romance can heap stones and dispose-to-expiration the winner of the uniformt. In an animated distort of uniformts, the villeldership sidelines woromance and however tranquil expects them to choose distribute-among-unmoulded in the next year’s lottery. However, romance are referable attributable attributable attributable likely to extract the referableiceable tickets owing of their role in the intercourse. Uniform when the product indicates that a romance had separated single of the raffles, the way was believed to be flawed, suggesting the current impagreement that is associated with restricted groups of romance-folks in the synchronous intercourse (March and Rachel 245). Away from Jackson’s coincidence, woromance accept been oppositeness discrimirealm and endure to dispose a sprightly conflict in the belligerence across inepeculiarity in their surroundings. Their commitment and self-abandonment towards the castraight accept orthodox other romance to aid their pledge to frame rebellious collision in the intercourse. Uniform though the influence has been soften, dull setbacks intimidate woromance from pursuing their interests and achieving their success objectives such as glass ceilings in the resultplace.

        In The Lottery, Jackson indicates that the villeldership believes that romance are born directers and are preferable of making defiant conclusions uniform at their pubescent eldership. Thrillingly, olden woromance are destitute a language and expected to restraintego with the political textures that clash with their cece to conquer extremeics in their present environment. Romance can constitute mistakes timeliness woromance unswerving ce their nearcomings. Indeed, Jackson’s near fable paints the current inepeculiarity that is manifest in the villeldership and the universe at big. Timeliness her fable is liberal of collision, the exculpation from the readers draw the truth of romance-folks in the intercourse and conclusiveate her arguments uniform advance, in a substitute that compels directers encircling the world to permit the community to diversify their ways and comprise good-natured-natured deeds. Jackson’s near fable resonates with the expectations of romancey romance-folks and presents them with an opportagreement to reaim their romancener that is supposed incapacitate in their present environment.

    Gender Roles in the Urbane Universe

    Organizations are now belligerenceming up to the ideas of having woromance at the extreme in a command to consummate their objectives and excite dissimilarity in the resultplace. Although there are limpids where woromance are discriminated in the result environment, technological advancements in the intercourse accept contributed towards the dull diversifys witnessed during the way of hiring and enactment of tasks to effeminate employees (Rice and Joan 95). Alternatively, the glass ceiling goods intimidate woromance from pursuing extreme commencement roles in the resultplace and has framed a referable attributable attributableion that they can solely exceed in mid-level romanceagerial positions. In this circumstance, romancey organizations permit their effeminate resulters to share in commencement ceums to construct the required expertise to celebrate and romanceeldership romance-folks in the result environment. Ce pattern, PepsiCo’s Indra Nooyi is a beginning of impulse to romancey woromance in the urbane sector owing of her resilience and cece to match in courageous-dominated positions. Nooyi is referable attributable attributable attributable the solely woromance who has swingd the perspectives of romance towards their effeminate counterparts through her result ethics. She has defied whole odds resisting her race roles as a mother and endures to market her duties as expected extraneously using her gender to stroke her mistakes. Hence, romance-folks should acquire to divergentiate gender from result activities and other complexions of interaction to consummate a shared product that addresses the needs of the realmal.

        Shirley’s near fable, The Lottery, succeeds in its underneathengage to highlight the political textures that above crowd from making cognizant conclusions, permit overthrow, and excite impagreement incomplete separated romance-folks in the intercourse. Indeed, woromance accept suffered underneathneath the supervision of their courageous counterparts in what appears to be in outoutline with Jackson’s admittance in her near fable. Timeliness romance and woromance choose distribute-among-unmoulded in the lottery, the passing lacks a language and are instead subjected to an ardent environment where they canreferable attributable rescue themselves from their conclusions. Shockingly, the intercourse believes that they should be punished ce making the wickedness choices owing of their collision on the products of uniformts in their present environment. Timeliness there has been extraordinary movement in the resultplace, glass ceilings endure to clash with the cece of woromance to hunt extreme commencement positions in an organizational setup. Therefore, the intercourse should frame an enabling environment where romance and woromance can contend fairly extraneously experiencing setbacks that pretend their way of enlargement and bud.

    Works Cited

    Jackson, Shirley. The lottery and other stories. MacMillan, 2005, 1-4.

    March, Evita and Rachel Grieve. “Social-Economic Theory and Near-Term Mate Preferences: The Goods of Gender Roles and Socioeconomic Status.” Australian Journal of Psychology, vol. 68, no. 4, Dec. 2016, pp. 241-250.

    Rice, Lindsay and Joan Barth. “A Tale of Two Gender Roles: The Goods of Implicit and Explicit Gender Role Legendalism and Occupational Stereotype on Hiring Conclusions.” Gender Issues, vol. 34, no. 1, Mar. 2017, pp. 86-102.